Denis’s Drifting Bodies – Elisabeth Hodges
La Maison Française (NYU) 16 Washington Mews, New York City, NY, United States"This paper analyzes Claire Denis’s first English-language film, High Life (2018) and the effects of spatial-temporal drift on filmic and human bodies. Set in the not distant future, the director’s interstellar story tacitly evokes the films of Andrei Tarkovsky and Stanley Kubrick, yet the look of High Life departs from the familiar stark white palette of the science fiction genre colored…