Registrants will receive a link to independently view the film prior to the live event. Click here to register for the event. The East Central European Center at the Harriman Institute presents its 2020-2021 film series: Contemporary Society and Its Discontents, a series of screenings and discussions of films from the past five years that comment on various aspects of contemporary…
Please join the Institute for the Study of Human Rights, Barnard’s Forum on Migration, the Committee on Forced Migration and the European Institute for a screening of the film: "Paris Stalingrad" A film by Hind Meddeb Co-directed by Thim Naccache Summer 2016. Paris. Refugees arriving from Sudan, Ethiopia, Eritrea, Somalia and Afghanistan have no other choice than to sleep in…
The German Film Office is pleased to present the award-winning documentary Lovemobil by Elke Margarete Lehrenkrauss as its last German Movie Night of 2020. The film will be available to viewers in New York State. When night falls in rural Germany, old VW caravans decorated with flashy lights line country roads cutting through potato fields and dark forests. Inside these…
Register here for the Zoom webinar, or tune in on YouTube Live. Please join the Harriman Institute and the Russian Film Club at Columbia University for a discussion with Nancy Condee, Stephen Norris, and Dusty Wilmes about the 2019 Russian thriller Text. This event is part of our Contemporary Culture Series. Klim Shipenko’s Text (2019) is a rare case of Russian thriller that has managed…
Writer-director Mia Hansen-Løve is recognized as one of the brightest talents in contemporary French film for the way she has renewed the tradition of the intimate cinema of ideas and emotions epitomized by auteurs such as Eric Rohmer. While her later films such as Things to Come were widely praised in the United States, her first feature All is Forgiven is only receiving its…
Ten years after she published her last novel, Sibyl decides to quit her successful practice as a psychoanalyst and begin writing again, surprising her partner and children with this apparently rash decision. As she is about to leave her practice, she accepts an emergency appointment with Margot, a young actress pregnant with the costar of her next film, who is…
Five years after her international triumph Girlhood, writer-director Céline Sciamma returns with a poignant feminist revision of the historical romance. In the late eighteenth-century, Marianne, a free-spirited painter, travels to a remote island off the coast of Brittany to paint a portrait of Héloïse, a young woman whose mother has recently taken her out of a convent to marry her to…
The Making of a Man (48 min, 2019) explores courage, cowardice and toxic masculinity across time and place (postwar France, Sweden and contemporary USA). Its point of departure is a play by Swedish writer Stig Dagerman, set in Paris reeling in the aftermath of Nazi occupation.
The German Film Office is pleased to present Western by Valeska Grisebach as part of its monthly German Movie Nights series. An intense, slow-burning thriller, Western follows a group of German construction workers installing a hydroelectric plant in remote rural Bulgaria. The foreign land awakens the men’s sense of adventure, but tensions mount when Meinhard, the strong, silent newcomer to the group,…
This program of documentary shorts is both a stirring introduction to the Beninese/Senegalese filmmaker Paulin Soumanou Vieyra, considered the first sub-Saharan African film director and a rich overview of the period of African independence and nation-building. Vieyra’s 1955 essay film Africa on the Seine (co-directed with Mamadou Sarr) begins on the banks of the Niger but moves quickly to Paris, “the capital…