Like Borom Sarret, Black Girl, The Money Order, and Xala, Ousmane Sembene’s film Faat Kiné is another chapter in the writer-director’s laser-sharp commentary of post-independence in Senegal. Faat Kiné brings the viewer face to face with politically, economically, and morally corrupt social fabric.
Since the scandal surrounding Dominique Strauss-Kahn’s arrest in New York City in 2011, several momentous affairs have shaken longstanding French taboos around sexual harassment: Vanessa Springora’s memoir about her damaging relationship as a 14-year-old with writer Gabriel Matzneff, Adèle Haenel’s accusation against film-director Christophe Ruggia of sexually harassing her when she was in her early teens, and very recently, Camille…