In Bouzbir, Fatima Mazmouz reappropriates colonial postcards featuring young Moroccan prostitutes in Bousbir, a military district in Casablanca. Exploring how the sexual exploitation of these women was integral to French domination, Mazmouz overlays a digital mosaic of tiny images of vulvas and uteruses. The uteruses symbolize the obscene matrix of colonialism, while the vulvas reflect the articulation of the political and the intimate, at…